Blondinbella anmäld - igenNästa steg för Blondinbella blir ett eget tv-program i Tv 400. Programmet kan beskrivas som ett tv-sänt blogginlägg och varje avsnitt är endast tre minuter långt och sänds på vardagar med skiftande sändningstid.
YouTube - EXCLUSIVE:Bridget Regan Behind El Capitan Theatre in Hollywood.EXCLUSIVE:Bridget Regan Behind El Capitan Theatre in Hollywood.
Seven Arts Pictures PLC (Form: 20-F/A, Received: 05/08/2008 15:45:57)
Aspect Ratios Explained: Part One in Editorial > Articles at DVDActiveThe cinematographic process used to shoot movies in the Academy Standard ratio is called Spherical, and involves the use of magnifying lenses on both the camera and the projector. When filming, the camera lens takes the image being photographed and condenses it to fit onto a much smaller space, i.e. the 35mm film. Later, when the film is projected, light is passed through both it and the magnifying lens, which blows the resulting image up so it can be projected onto the cinema screen.
multipleverses.com » Blog Archive » Legend of the Seeker 01×04 Brennidon ReviewRachel Nash who portrayed Bridget was exceptionally believable and warm in her role, she actually reminded me a lot of Pernilla August from the STAR WARS prequels.
— review
3.5 — Good, prosaic, lacks novelty
Since she arrived at Bravo four years ago, Zalaznick has been polishing the genre of reality TV to a high sheen, taking its contestants off primitive islands and placing them squarely in sophisticated corners of cities like New York and Los Angeles. Instead of eating insects, navigating obstacle courses or flaunting their physical charms to woo lonely rich guys, the contestants on Bravo compete, with just as much zeal, to show their good taste and talent in high-status fields like food, fashion and design.
The formula may be lowbrow — attractive people pitted against one another, ruthless eliminations — but the content is, if not exactly highbrow, then certainly high-style. It’s voyeurism for the voyeur with a good eye.
Not all of Bravo’s original programming revolves around competition, but the shows all start with reality, at least the reality of competitive, urban, coastal professionals — the gymgoers, the restaurant patrons, the trendy shoppers, the interior decorators.An entire subset of Bravo programming has been devoted to the world of high-end hair salons : “Blow Out” followed the hairstylist Jonathan Antin as he strove to expand his merchandising empire; “Shear Genius” engages hairstylists in heated competition; “Tabatha’s Salon Takeover” features tough-love makeovers for mismanaged businesses.Miniseries - Wikipedia, the free encyclopedia
One other important aspect, as Francis Wheen argues is that, “Both soap operas and primetime series cannot afford to allow their leading characters to develop, since the shows are made with the intention of running indefinitely. In a miniseries on the other hand, there is a clearly defined beginning, a middle and an end, (as in a conventional play or novel) enabling characters to change, mature or die as the serial proceeds..”[2]. Thus a series that is cancelled, or not renewed, after only a few episodes would not fall into the category of a miniseries.
In television, the format dates back to 1974, beginning with the Canadian Broadcasting Corporation’s The National Dream, featuring Pierre Berton (which began broadcasting 3 March 1974 and concluded 28 April 1974) and the American Broadcasting Company’s QB VII, which starred Anthony Hopkins (and which was first broadcast beginning 29 April 1974).
Following these initial forays, broadcasters used miniseries to bring other books to the screen. Rich Man, Poor Man, based on the novel by Irwin Shaw, was broadcast in twelve one-hour episodes in 1976 by ABC, proving the format’s initial successes were not flukes.
Interview with Brooke Shields and Candace Bushnell | NiceGirlsTV.com
Brooke Shields and Candace Bushnell have joined forces with the new series Lipstick Jungle,
OVGuide Online Video Guide: Watch Free Movies, Streaming Videos, Watch TV Shows, Video Games - It’s what’s ON the Weblisting lots of popular movies and TV shows.
Constance Zimmer (I)
“Entourage” …. Dana Gordon (11 episodes, 2005-2007)
Rene Auberjonois - BiographyRené Murat Auberjonois was born on June 1, 1940, in New York City. René was born into an already artistic family, which included his grandfather, a well-known Swiss painter, and his father Fernand, a writer. The Auberjonois family moved to Paris shortly after World War II,
Paula Marshall Trivia - Paula Marshall Facts - Paula Marshall NotesPaula met her current husband Danny Nucci on the set of the television show Snoops. edit »
White Shark - Sir Roger Moore klar för Gnomes & Trolls - NewsdeskKort om White Shark AB (publ)White Shark är ett svenskt filmbolag som producerar datoranimerade barn- och ungdomsfilmer och utvecklar koncept kring dessa. Bolaget har producerat filmen Gnomes & Trolls - The Secret Chamber, vilken är såld och levererad för distribution till 74 länder. Uppföljaren Gnomes & Trolls - The Forest Trial är i produktion och såld till 65 länder.
May you be in heaven for at least half an hour…
Before the devil knows you are dead.
http://www.imdb.com/title/tt0292963/
| Philip Seymour Hoffman | … | Andy Hanson | |
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Ethan Hawke | … | Hank Hanson |
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Albert Finney | … | Charles Hanson |
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Marisa Tomei | … | Gina Hanson |
CBS rings Burnett’s ‘Jingles’ - Entertainment News, TV News, Media - VarietyIn what may be Burnett’s most Madison Avenue-friendly program since “The Apprentice,” teams of players will be given weekly jingle-writing assignments — coming up with, say, the next Oscar Mayer wiener song or a new pitch for Coke — and will then have to perform them in front of a studio audience. Viewer votes will determine a weekly winner (whose ditty will end up in a real ad) and loser (who will go home).”This show is sort of like ‘America’s Got Talent’ but with a purpose,” Burnett said, adding that the skein will be heavy on elaborate performances as teams try to sell their songs to viewers.
http://www.changelingmovie.net/
Metairie.comStress is a very powerful force which is usually self-imposed.
HowStuffWorks “How “Gracie” Works”
OBTAIN AN EXPERIENCED ADVISOR
Retain an entertainment attorney or experienced producer’s rep to advise you and negotiate your deal. Filmmakers know about film, distributors know about distribution.
HowStuffWorks “How Movie Distribution Works”
Here’s the path a film usually takes to get to your local theater:
* Someone has an idea for a movie.
* They create an outline and use it to promote interest in the idea.
* A studio or independent investor decides to purchase rights to the film.
* People are brought together to make the film (screenwriter, producer, director, cast, crew).
* The film is completed and sent to the studio.
* The studio makes a licensing agreement with a distribution company.
* The distribution company determines how many copies (prints) of the film to make.
* The distribution company shows the movie (screening) to prospective buyers representing the theaters.
* The buyers negotiate with the distribution company on which movies they wish to lease and the terms of the lease agreement.
* The prints are sent to the theaters a few days before the opening day.
* The theater shows the movie for a specified number of weeks (engagement).
* You buy a ticket and watch the movie.
* At the end of the engagement, the theater sends the print back to the distribution company and makes payment on the lease agreement.
The Art of the Deal
It has been said that making a movie is not nearly as difficult as getting it distributed. Because of the enormous amount of cost in money and time involved in distributing a movie, a distributor must feel confident that they can make a sufficient return on their investment. Having the backing of a major studio or a well known director or star can greatly improve the chances of securing a good distribution deal.
Once a distributor is interested in a film, the two parties arrive at a distribution agreement based on one of two financial models:
* Leasing
* Profit sharing
In the leasing model, the distributor agrees to pay a fixed amount for the rights to distribute the film. If the distributor and the studio have a profit-sharing relationship, on the other hand, the distributor gets a percentage (typically anywhere from 10 to 50 percent) of the net profits made from the movie. Both models can be good or bad, depending on how well a movie does at the box office. The goal of both the studio and the distribution company is to predict which model will benefit them the most.
Most distributors not only provide the movie to theaters, but obtain ancillary rights to distribute the movie on VHS, DVD, cable and network TV. Other rights can include soundtrack CDs, posters, games, toys and other merchandising.
When a distributor has leased a movie, they will try to determine the best strategy for opening the movie. Opening refers to the official debut of a movie. There are several factors to consider:
* Studio
* Target Audience
* Star power
* Buzz
* Season
has big stars but doesn’t appear to have legs (meaning that it will not stay popular for long)
poor buzz (unofficial information about the movie
Each print typically costs about $1,500 to $2,000 to make, so the distributor must consider the number of theaters a movie can successfully open in
Since opening a movie on 3,000 screens could cost $6 million for the prints alone, the distributor must be sure that the movie can draw enough people to make the costs worthwhile.
Most theaters use buyers to represent them in negotiating with the distribution companies. Large chains such as AMC Theatres or United Artists employ buyers
There are two ways for a theater to lease a movie:
* Bidding
* Percentage
Bidding requires that the theater agree to pay a fixed amount for the right to show the movie. For example, a theater might bid $100,000 for a four-week engagement of a new movie. During that time, it could make $125,000 for a profit of $25,000. Or it might take in only $75,000, which means the theater has a loss of $25,000. Few distribution companies use bidding anymore. Most agreements are for a percentage of the box office (ticket sales).
In this sort of deal, the distributor and the theater agree to several terms:
* The theater negotiates the amount of the house allowance, or nut, with the distributor. This is a set figure to cover basic expenses each week.
* The percentage split for the net box office is set. This is the amount of box office left after the deduction of the house allowance.
* The percentage split for the gross box office is set.
* The length of engagement is set (typically four weeks).
You can see that during weeks one, two and three, the gross percentage is higher. The net percentage is higher for week four. So the distributor would take gross percentage on one through three then net for week four. The theater breaks even the first week, loses money the second and makes a profit on weeks three and four.
The movie itself is considered a loss leader by the theater owner: It is meant to get people into the theater. The theater makes its money selling refreshments to the movie audience. That’s why concessions are so expensive — without the profits generated by things like popcorn and soda, most theaters could not afford to stay in business.
At the end of the negotiated engagement, the theater pays the distributor its share of the box office earnings and returns the print.
HowStuffWorks “How Movie Marketing Works”Movie marketing is the art and science of convincing consumers to buy movie tickets.
HowStuffWorks “How Final Cut Pro Works”Editing is the process of cutting down hundreds of hours of video footage into a cohesive, entertaining final product.
HowStuffWorks “Required Skills of a Cinematographer”Required Skills of a Cinematographer
HowStuffWorks “How Casting Directors Works”
actors’ agents, keeping an eye on the casting budget
* issues casting calls for minor acting parts and conducts those auditions
* acts as a liaison between the director and the actors, once contracts are signed
* finds replacements, as needed, during production for actors who can’t fulfill their contracts
Networking
More than other entertainment jobs, this one is about who you know. Making connections will help you move up in your career, and it’ll give you the contacts you need to make good casting decisions. You’ll need to be able to quickly and easily find the right actors for the roles, which means knowing the actors and keeping good relationships with talent agents.
as a casting director, you’ll also need:
* excellent communication skills to work with both sides — studios and directors, and actors and talent agents
* negotiation skills
* organizational skills to juggle projects and keep them all on track
* good memory for script details, actor abilities and contact names
* careful attention to detail
* patience and persistence
If you’re an empathetic person who is good at sizing people up but also tough enough to handle contract negotiations, maybe it’s time to start moving toward a casting director career.
HowStuffWorks “How Becoming a Movie Director Works”
How Becoming a Movie Director Works
attracted the attention of executives at Universal Pictures.
Alfred Hitchcock. He worked for six years designing the dialogue cards between the scenes of silent movies and then as a film cutter, scriptwriter, set designer, production assistant and, finally, as a film director.
showing it apologetically to distributors
Becoming a movie director requires experience, effort and contacts. Nobody simply steps up and starts directing major movies.
What is a Movie Director?
A movie director is a storyteller who needs a lot of people, equipment, creativity and planning to bring his story to a movie audience. And in the process, the director has to hold on to the vision while dealing with temperamental artists, union contract requirements, uncooperative weather, studio time, budget demands and a handful of other uncontrollable uncertainties.
Roland Joffe, director of “The Killing Fields” (1984), has said directing movies resembles “playing on a multilayered, multidimensional chessboard, except that the chess pieces decide to move themselves.”
a director is responsible for a film’s overall vision. He has final responsibility for the actors, the shots, the script, the props, the editing and much more
Responsibilities involved with directing include:
* working with the movie producer to cast the actors
* organizing and selecting shooting locations
* interpreting the script — and in some cases, writing or selecting it
* approving sets, costumes, choreography and music
* giving actors direction while conducting rehearsals and shooting the film
* directing the work of the crew during shooting
* working with cinematographers on shot composition
* working with editors on creating a rough cut and final film
That’s a lot for a single person to do, so directors usually delegate some of the work. Assistant directors, for example, may be responsible for overseeing specific locations or for cueing actors and crew. A second-unit director may be in charge of directing stunt sequences. Or a director may describe what he wants out of a scene and then have the film crew find the location and lighting that work.
But some directors do more than simply direct. They may also write the script, act in the movie and serve as its producer — or even do all three
in addition to being in charge, taking many roles and turning the vision of the story into a movie, a director needs to be flexible enough to deal with unexpected challenges and open to suggestions from cast and crew that could make the movie better.
The rewards are great for directors who can manage movie-making chaos and tell their stories well. Directors are usually paid 10 percent of a film’s gross earnings, blockbusters that bring in $200 million or more can return a healthy cash reward for their directors
You’ll definitely want to include any movies you have directed, but here are some other items to put in your electronic portfolio:
* Educational experience, including the classes you’ve taken
* A resume showing your experience to date
* Contact information so you can be reached
* Clips from movies that show your skill in other areas, such as editing, writing, animation and cinematography
* A listing of film festivals you have entered and awards won
* Directing in other areas — music videos, commercials, animated shorts, TV shows
* Stills and storyboards showing the thought and process behind the finished product
If you don’t have the time or expertise to put together your own portfolio, there are companies that specialize in doing this for you. My DVD Portfolio, for instance, offers several options at different prices. “Rising Star,” on the low end, turns your 30 photos, video and bio information into a customized presentation with 60 seconds of video on a master DVD. More expensive options provide additional room for more photos and video.
The funding may be made available by way of equity, loan, contracted
payment, sales advance or by any other means which the Members of FF2
consider appropriate in a particular case
http://www.nzfilm.co.nz/getattachment/792c795f-4aec-45f3-8f8b-c0915c986e80/How_to_Apply_and_Standard_Terms_of_Finance.aspx?disposition=attachment
Film Fund | Film Fund 2 | Finance | Funding |
NZ Film Sales Agency | Project Finance | Sales and Marketing# NZ Film works alongside producers to package and present films for pre-sale to the worldwide market. We maintain close working relationships with leading indepedent film distributors worldwide as well as all the major Hollywood studios.# NZ Film is committed to and passionate about the development of talented writers, directors and producers. Strategies are formulated on a film by film basis with this in mind. Projects in advanced development are covered by our in-house team as well as carefully selected international readers to inform the final script, budget and market notes.
$100-Million Infusion Puts Talent Firm in Position to Deal - Los Angeles TimesLike any top Hollywood agent, Jeff Berg is always looking to close a deal.
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